Tuesday 10 December 2013

Francisco Beltran Buencamino Sr

Francisco Beltran Buencamino was born on the 5th of November, 1883 in San Miguel de Mayumo, Bulacan. He is the sixth of ten children of Fortunato Buencamino and Luisa Beltran. His father was a church organist and band master, and his mother, a singer. Francisco was married to Pilar Luceno and they had two children, both of whom also took up music. 

Francisco first learnt music from his father. At age 12, he could play the organ. At 14, he was sent to study at the Liceo de Manila. There, he took up courses in composition and harmony under Marcelo Adonay. He also took up pianoforte courses under a Spanish music teacher. He did not finish his education as he became interested in the sarswela. 

In the early 1900s, Francisco Buencamino taught music at the Ateneo de Manila and at the Centro Escolar de Senoritas. At the latter, he founded the Conservatory of Music and was its head until 1938. At the same time, he also handled music lessons at the Liceo de Manila. He founded the Buencamino Music Academy in 1930. It was authorized by the Department of Public Instruction to grant music degrees. Some of his pupils were Nicanor Abelardo, Ernestina Crisologo, Estela Velasco, Beatrice Alba, and Amelia Hidalgo. In the 1940s, he started working as a musical director. He also composed music for films produced by Sampaguita Pictures, LVN and Excelsior. For a time, Francisco Buencamino frequently acted on stage. He also collaborated on the plays written and produced by Aurelio Tolentino. The Philippine Music Publishers, which Buencamino established, undertook the printing of his more important compositions, but it was not a successful venture. 

Some of the sarswelas he wrote are: "Marcela" (1904), "Si Tio Celo" (1904) and "Yayang " (1905). In 1908, the popularity of the sarswela started to wane because of American repression and the entry of silent movies. Francisco Buencamino then turned to composing kundimans. 

One of his earliest compositions is "En el bello Oriente" (1909), which uses Jose Rizal's lyrics. "Ang Una Kong Pag-ibig", a popular kundiman, was inspired by his wife.  In 1938, he composed an epic poem which won a prize from the Far Eastern University during one of the annual carnivals. His "Mayon Concerto" is considered his magnum opus. Begun in 1943 and finished in 1948, "Mayon Concerto" had its full rendition in February 1950 at the graduation recital of Rosario Buencamino at the Holy Ghost College. "Ang Larawan" (1943), also one of his most acclaimed works, is a composition based on a Balitaw tune. The orchestral piece, "Pizzicato Caprice" (1948) is a version of this composition. Many of his other compositions were lost during the Japanese Occupation, when he had to evacuate his family to Novaliches, Rizal. 

As a musical director, he was involved in anumber of movies such as "Mabangong Bulaklak", "Ang Ibong Adarna", "Mutya ng Pasig", and "Alitaptap". 

Francisco Buencamino died on the 16th of October, 1952. in the same year, he was given a posthumous Outstanding Composer Award by the Manila Music Lovers Society. 

Additional Information: Pianist Cecile Licad, is his grand niece. Composers Willy Cruz, Lorrie Ilustre and Nonong Buencamino, and actor Noni Buencamino are his grandnephews. 

Note: I've lost the original sources for this post. But they can all be surely found in the College of Music Library, University of the Philippines, Diliman, Quezon City. 



Short Biography of Filipina composer Lucrecia Roces Kasilag

Lucrecia R. Kasilag was born on the 31st of August, 1918 in San Fernando, La Union. She is the third of six children of Marcial Kasilag Sr., a government engineer, and Asuncion Roces, a music teacher, Lucrecia's first musical influence. A little after Kasilag's birth, the family moved to Albay and then to Manila. 

At an early age, Lucrecia learnt to play the guitar. She graduated valedictorian from the Paco Elementary School and from the Philippine Women's University High School. She finished her Bachelor of Arts degree in English at the Philippine Women's University (PWU), after which she took piano lessons from Concha Cuervo, and later, Pura Lacson Villanueva. She obtained her Music Teacher's degree from St. Scholastica's College of Music in 1939. And she was sent on an Asian tour by impresario Alfredo Lozano. She finished her Bachelor of Music degree at the PWU. She obtained her Master of Music degree, major in theory and minor in composition at the Eastman School of Music, University of Rochester in New York. She was conferred honorary doctorate degrees by the Centro Escolar University, the Philippine Women's University and the St. John University, New York in 1981. 

Lucrecia Kasilag taught at various colleges such as the St. Scholastica's College, Assumption College and the University of the Philippines Conservatory of Music. She also did pioneering research in ethnic culture and gained world-wide recognition as the Director of the Bayanihan Philippines Dance Company. She was Dean of the PWU College of Music and Fine Arts. She served as Artistic Director and as president of the Cultural Centre of the Philippines from 1969 until her retirement in 1986. She held so many other posts in many different organizations. She held key positions in national and international music organizations and has been recipient of different grants. In 1971, Lucrecia Kasilag was designated as a Colombo music expert to advise the University of Singapore on the setting up of its music department. She has written several articles and essays on various aspects of humanities and research in Asian music. 

Lucrecia Kasilag began composing during World War II. Her over two hundred and fifty compositions range from folk song arrangements, art songs, solo instruments pieces, chamber and orchestral works. She has done significant pioneering work in combining the resources of occidental and oriental instruments in East and West compositions.

In 1979, Kubing Records recorded some of her works such as "Toccata for Percussion and Winds" (1958), "Divertissement for Piano and Orchestra" (1960), "Legend of Sarimanok" (1963), "Filiasiana", a choral dance kaleidoscope (1964), "Dularawan" (Drama-Tableau) for indigenous instruments and mixed chorus (1969), "Her Son, Jose", an operator (1976) and "Sisa", ballet music (1976).

Lucrecia Kasilag passed away on 16th August, 2008 at the age of 90. 

Note: I have discovered this short biography in one of my college files, and have lost the source of this article. If anyone knows where it's from, please feel free to leave a comment. Thanks!

More about Lucrecia Kasilag here:

Lucrecia Kasilag in Wikipedia

Lucrecia Kasilag in WIkipedia 2

From the Philippines National Commision for Culture and the Arts

Wikipilipinas

The Piano Compositional Style of Lucrecia R. Kasilag

Filipinas Heritage Library